Arthur Jafa looks on in sunglasses and a black hoodie in a photo that looks like a screenshot from an iPhone. At the top it says "Facetime unavailable"

Episode 04

Arthur Jafa

Arthur Jafa

FEBRUARY 1, 2021

Filmmaker and artist Arthur Jafa joins Maori to discuss freedom, collective action as counter culture, the Black cinematic trajectory, and the importance of geography in forming our pictorial and musical traditions.
Arthur Jafa looks on in sunglasses and a black hoodie in a photo that looks like a screenshot from an iPhone. At the top it says "Facetime unavailable" and at the bottom are the familiar buttons for "Call back" "Cancel" and "Leave a Message".

Arthur Jafa (b. 1960, Tupelo, Mississippi) is an artist, filmmaker and cinematographer. Across three decades, Jafa has developed a dynamic practice comprising films, artefacts and happenings that reference and question the universal and specific articulations of Black being. Underscoring the many facets of Jafa’s practice is a recurring question: how can visual media, such as objects, static and moving images, transmit the equivalent “power, beauty and alienation” embedded within forms of Black music in US culture?

Jafa’s films have garnered acclaim at the Los Angeles, New York and Black Star Film Festivals and his artwork is represented in celebrated collections worldwide including The Metropolitan Museum of Art, The Museum of Modern Art, Tate, The San Francisco Museum of Modern Art, The Studio Museum in Harlem, The High Museum Atlanta, The Dallas Museum of Art, The Museum of Contemporary Art in Chicago, The Stedelijk, LUMA Foundation, The Perez Art Museum Miami, Los Angeles Museum of Contemporary Art, The Hirshhorn Museum and Sculpture Garden and the Smithsonian American Art Museum, among many others.

Jafa has recent and forthcoming exhibitions of his work at the Moderna Museet, Stockholm; Fundação de Serralves, Porto; the 22nd Biennale of Sydney and the Louisiana Museum of Art, Denmark. In 2019, he received the Golden Lion for the Best Participant of the 58th Venice Biennale “May You Live in Interesting Times”.

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